After the (somewhat) success of the Haruki Murakami Reading Challenge (I have until the 12th of January next year to finish), I have decided to take on several more, but with smaller goals.
And so, here we go!
A reading challenge for those who dig stories about unfortunate (or fortunate) souls going back into time to dig up the past, learn about their present days, and even warn the future (or just change it, y'know).
I'm going for 10 books:
The Time Quintet by Madeleine L'Engle (5 books total)
Kindred by Octavia E. Butler
Time and Again by Jack Finney
11/22/63 by Stephen King
Time After Time by Karl Alexander
Somewhere in Time by Richard Matheson
Wanna give it a go? Click here for info!
A reading challenge that asks you to do the unthinkable: to read whatever damn books you haven't read yet!
I'm going for 50 books. Good luck to me...
Wanna take down some books you been meaning to read? Click here for more info!
A reading challenge that takes from a C.S. Lewis quote, but mainly asks the challenger to read (number chosen) of books that go over 700 pages.
I'm going for 2: The Agony and the Ecstasy and The Passage.
Wanna see what C.S. Lewis meant? Click here for more info!
A reading challenge that wants you to read some short story collections. Read a few, gain a favorite writer, y'know the drill...
I'm going for 8 collections, 3 I'm already working on (H.P. Lovecraft, Lydia Davis, and Edgar Allan Poe).
Wanna see if Lydia Davis really does rule the flash fiction kingdom? Click here for more info!
Good luck to all.... and may God help me in 2012.
Showing posts with label reading challenges. Show all posts
Showing posts with label reading challenges. Show all posts
Wednesday, December 28, 2011
Tuesday, August 9, 2011
Haruki Murakami Reading Challenge 2011: Book Review 2 of 5
after the quake
By Haruki Murakami
Barnes & Noble link
*Note: this is the second of five reviews for the Haruki Murakami Reading Challenge*
Short stories are a strange animal. You are telling the story of people, places, and things; and yet you only have a limited amount of time. All there is time for is the important stuff, the "greatest hits" of it, if you would. It takes a different set of skills to reach shortened-literary perfection. Even novelists are daunted by them. Haruki Murakami remained, as usual, undaunted by a challenge. While he's done it before, he achieved his finest hour in after the quake.
The book, containing six stories, is a condolence letter to a confused and hurt nation. At the time of writing, Kobe was struck by a massive earthquake. It killed many, destroyed infrastructure, and sent the whole nation into a dark state of worry. Each tale focuses on how the earthquake has affected the denizens. All share one thing in common: it is a time of growth, a time of change, and a time for courage.
The one story that I always return to in this book is the concluding "Honey Pie", about Junpei and his longing for his best friend Sayoko. She had married Junpei's best friend and had a daughter named Sala. Eventually, the couple divorced. The earthquake complicated matters more (it gave Sala nightmares). To comfort the scared child, Junpei tells her the story of two friendly bears. Throughout, the story begins to reflect the situation between Junpei and his friend. And the more Sayoko sees of Junpei, the more the longing becomes undeniable. "Honey Pie" is sad, full of regret and unrequited love. It is a true representation of what happens during a national tragedy: it marks the air, but time ticks on.
All the stories deserve attention. They are surrealistic ("Super-frog Saves Tokyo"), reflective ("Landscape in Flatiron", "All God's Children Can Dance"), and bittersweet ("UFO in Kushiro", "Thailand"). All different flavors of human experience. And they are classic Murakami. People in unusual situations, asking how to continue even during a time of fear and mourning.
With the citizens struggling to shake off the recent tragedies in Fukushima and the rest of northern Japan, the book and its stories become not just a symbol of the past, but of the present times. Literature can scare us, inform us, and trick us. But it also can heal us. Remind us of the silly old sayings that we tell ourselves each morning: "life will go on", "tomorrow is a new day", etc. Even if you don't believe that, it helps to see that you are not alone in the struggle to survive.
May this book and many others like it heal us all during this times of rage and thunder and quakes.
COPYRIGHT NOTE: all bold quotes are from the novel and were written by the author himself. Those words are not my own.
By Haruki Murakami
Barnes & Noble link
*Note: this is the second of five reviews for the Haruki Murakami Reading Challenge*
Short stories are a strange animal. You are telling the story of people, places, and things; and yet you only have a limited amount of time. All there is time for is the important stuff, the "greatest hits" of it, if you would. It takes a different set of skills to reach shortened-literary perfection. Even novelists are daunted by them. Haruki Murakami remained, as usual, undaunted by a challenge. While he's done it before, he achieved his finest hour in after the quake.
The book, containing six stories, is a condolence letter to a confused and hurt nation. At the time of writing, Kobe was struck by a massive earthquake. It killed many, destroyed infrastructure, and sent the whole nation into a dark state of worry. Each tale focuses on how the earthquake has affected the denizens. All share one thing in common: it is a time of growth, a time of change, and a time for courage.
The one story that I always return to in this book is the concluding "Honey Pie", about Junpei and his longing for his best friend Sayoko. She had married Junpei's best friend and had a daughter named Sala. Eventually, the couple divorced. The earthquake complicated matters more (it gave Sala nightmares). To comfort the scared child, Junpei tells her the story of two friendly bears. Throughout, the story begins to reflect the situation between Junpei and his friend. And the more Sayoko sees of Junpei, the more the longing becomes undeniable. "Honey Pie" is sad, full of regret and unrequited love. It is a true representation of what happens during a national tragedy: it marks the air, but time ticks on.
All the stories deserve attention. They are surrealistic ("Super-frog Saves Tokyo"), reflective ("Landscape in Flatiron", "All God's Children Can Dance"), and bittersweet ("UFO in Kushiro", "Thailand"). All different flavors of human experience. And they are classic Murakami. People in unusual situations, asking how to continue even during a time of fear and mourning.
With the citizens struggling to shake off the recent tragedies in Fukushima and the rest of northern Japan, the book and its stories become not just a symbol of the past, but of the present times. Literature can scare us, inform us, and trick us. But it also can heal us. Remind us of the silly old sayings that we tell ourselves each morning: "life will go on", "tomorrow is a new day", etc. Even if you don't believe that, it helps to see that you are not alone in the struggle to survive.
May this book and many others like it heal us all during this times of rage and thunder and quakes.
"Our hearts are not stones. A stone my disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another. All God's children can dance."
- from "All God's Children Can Dance" on page 68
COPYRIGHT NOTE: all bold quotes are from the novel and were written by the author himself. Those words are not my own.
Filed under:
book review,
haruki murakami,
reading challenges,
why isn't it october 25th yet,
yea books
Thursday, July 7, 2011
Haruki Murakami Reading Challenge 2011: Book Review 1 of 5
South of the Border, West of the Sun
By Haruki Murakami
Barnes & Noble link
*Note: this is the first of five reviews for the Haruki Murakami Reading Challenge*
When it comes to writing about lost love in an earnest tone, Haruki Murakami delivers in spades. If you need further evidence, please consult Sputnik Sweetheart and Norwegian Wood. He writes another story of lost love, and this time, there is nothing that stand between the two... well, except the two. Lovers go to battle with their own demons in South of the Border, West of the Sun.
Hajime, a middle-aged man, has a wonderful life: a loving wife, two adorable daughters, two successful jazz clubs, and riches that one could only dream of. And yet, his heart and mind are on a long-lost friend, a woman named Shimamoto. Years pass without them seeing each other, maybe never again. A series of strange events, including Hajime seeing Shimamoto and following her throughout the city (which them leads to a guy paying him to stop following her), have them finally meet up. But, after years of living between their last union, Shimamoto is carrying her own secrets.
The characters are a mix of interesting and surprisingly bland. Hajime's only interests are reading and listening to music, which make up for his otherwise... dull-as-dishwater personality. Though, in the beginning, he ends up showing a semblance of self-awareness:
Even with that, Hajime doesn't seem to learn from his own reflections (see: his confessed affairs while his wife was pregnant). While having the same interests, Shimamoto is more interesting. Then again, we didn't read about most of her life. Hajime is hiding nothing, not even his honest (yet despicable) confessions.
Hajime and Shimamoto try to reignite that flame, but their mortal enemies (themselves and their problems) prevent it. He is afraid of hurting others just to get what he wants, while she has hidden issues keeping her from getting close. It is sad yet human. We all come along with baggage, even if your life was ideal. Yet, there comes a time to either let it all get lost in Baggage Claim forever; or, set it aside and give your shoulders a rest and asset what you've been carrying around for so long. Both characters are going for the former approach.
Shimamoto's life remains a mystery. Why can't she give herself fully to Hajime? From all the little details about her clothing and jet-setting-like lifestyle, my guess is she is either married to a wealthy man (e.g., Yakuza) or is a high-class prostitute. Even if she had one of those things going for her, couldn't she say "screw it" and just do whatever she wanted? Or did something else happen? We'll never know and guessing only leads to more confusion.
Even with the rich details of the nature of relationships and how problems plague people, this remains my least favorite Murakami novel. Maybe I was expecting more to transpire. There was much satisfaction to knowing how Hajime is, but knowing absolutely nothing about Shimamoto seems unfair. But the one-sided perspective is possibly the point: Hajime talks about himself so damn much that we (and he) never really pay attention. Or that, when we read beyond his words, see what he's observing and not commenting on, we learn the truth. Dramatic Irony 101 right there.
South of the Border, West of the Sun is a good read into the nature of men and women, but offers only that. Why should we expect advice? Human nature doesn't come with instructions.
COPYRIGHT NOTE: all bold quotes are from the novel and were written by the author himself. Those words are not my own.
By Haruki Murakami
Barnes & Noble link
*Note: this is the first of five reviews for the Haruki Murakami Reading Challenge*
When it comes to writing about lost love in an earnest tone, Haruki Murakami delivers in spades. If you need further evidence, please consult Sputnik Sweetheart and Norwegian Wood. He writes another story of lost love, and this time, there is nothing that stand between the two... well, except the two. Lovers go to battle with their own demons in South of the Border, West of the Sun.
Hajime, a middle-aged man, has a wonderful life: a loving wife, two adorable daughters, two successful jazz clubs, and riches that one could only dream of. And yet, his heart and mind are on a long-lost friend, a woman named Shimamoto. Years pass without them seeing each other, maybe never again. A series of strange events, including Hajime seeing Shimamoto and following her throughout the city (which them leads to a guy paying him to stop following her), have them finally meet up. But, after years of living between their last union, Shimamoto is carrying her own secrets.
The characters are a mix of interesting and surprisingly bland. Hajime's only interests are reading and listening to music, which make up for his otherwise... dull-as-dishwater personality. Though, in the beginning, he ends up showing a semblance of self-awareness:
That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could be completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
-page 48 of the book
Even with that, Hajime doesn't seem to learn from his own reflections (see: his confessed affairs while his wife was pregnant). While having the same interests, Shimamoto is more interesting. Then again, we didn't read about most of her life. Hajime is hiding nothing, not even his honest (yet despicable) confessions.
Hajime and Shimamoto try to reignite that flame, but their mortal enemies (themselves and their problems) prevent it. He is afraid of hurting others just to get what he wants, while she has hidden issues keeping her from getting close. It is sad yet human. We all come along with baggage, even if your life was ideal. Yet, there comes a time to either let it all get lost in Baggage Claim forever; or, set it aside and give your shoulders a rest and asset what you've been carrying around for so long. Both characters are going for the former approach.
Shimamoto's life remains a mystery. Why can't she give herself fully to Hajime? From all the little details about her clothing and jet-setting-like lifestyle, my guess is she is either married to a wealthy man (e.g., Yakuza) or is a high-class prostitute. Even if she had one of those things going for her, couldn't she say "screw it" and just do whatever she wanted? Or did something else happen? We'll never know and guessing only leads to more confusion.
Even with the rich details of the nature of relationships and how problems plague people, this remains my least favorite Murakami novel. Maybe I was expecting more to transpire. There was much satisfaction to knowing how Hajime is, but knowing absolutely nothing about Shimamoto seems unfair. But the one-sided perspective is possibly the point: Hajime talks about himself so damn much that we (and he) never really pay attention. Or that, when we read beyond his words, see what he's observing and not commenting on, we learn the truth. Dramatic Irony 101 right there.
South of the Border, West of the Sun is a good read into the nature of men and women, but offers only that. Why should we expect advice? Human nature doesn't come with instructions.
COPYRIGHT NOTE: all bold quotes are from the novel and were written by the author himself. Those words are not my own.
Filed under:
book review,
haruki murakami,
reading challenges,
why isn't it october 25th yet,
yea books
Wednesday, January 12, 2011
And so... it begins
Today, marking Haruki Murakami's 62nd birthday, I shall begin officially the Haruki Murakami Reading Challenge 2011.
To my fellow bloggers also on the challenge... best of luck! I aim for the Sumire level, since I own 10 of his novels, but I
May
Go
All
The
Way!!
Given that 1Q84's English translation comes out this year, along with me possibly getting the six books I'm missing from my collection.
I begin with the perennial favorite: Sputnik Sweetheart, followed by after the quake.
Aaaaannnndddd... go!
*falls over at the starting line*
I meant do that... *paces away*
To my fellow bloggers also on the challenge... best of luck! I aim for the Sumire level, since I own 10 of his novels, but I
May
Go
All
The
Way!!
Given that 1Q84's English translation comes out this year, along with me possibly getting the six books I'm missing from my collection.
I begin with the perennial favorite: Sputnik Sweetheart, followed by after the quake.
Aaaaannnndddd... go!
*falls over at the starting line*
I meant do that... *paces away*
Filed under:
awww here it goes,
epic win,
here is the peak of awesome,
reading,
reading challenges
Monday, January 3, 2011
Nooooo... tes!!
You probably got a gander of my page recently and saw something about a Haruki Murakami challenge of sorts. Since I want to challenge myself to do more stuff, I decided to sign up for it, a first for me. I'm very excited to be part of a community. I plan on reading everything that I have (which amounts to 10 books), plus whatever I don't have and of course, the upcoming English translation of 1Q84 (whoo).
~
I also decided to tally up how many books, movies and albums I've experieced last year. The answers:
82 books read
82 albums listened to
63 movies watched
That is a lot of media. No wonder I have frequent headaches now...
~
So much to look forward to. Lots of movies, music... but not so much on the book front. Other than the Murakami, I can't think of another book to look forward to. Oh well, maybe I'll find some to look forward to.
~
As for blog-related matters, I will continue as I always have. Since I like the schedule, postings here will remain on Mondays, Wednesdays, and Fridays until I get tired of it. I will conclude the "24 Reviews in 24 Years" by the eve of my 25th birthday, and also decide once and for all... the "Best 25 Songs (That I Have) of All Time" list. I will post reviews (even some for the Haruki Murakami thingy) and random writing posts. Expect more writing stuff.
Hell yes.
~
I also decided to tally up how many books, movies and albums I've experieced last year. The answers:
82 books read
82 albums listened to
63 movies watched
That is a lot of media. No wonder I have frequent headaches now...
~
So much to look forward to. Lots of movies, music... but not so much on the book front. Other than the Murakami, I can't think of another book to look forward to. Oh well, maybe I'll find some to look forward to.
~
As for blog-related matters, I will continue as I always have. Since I like the schedule, postings here will remain on Mondays, Wednesdays, and Fridays until I get tired of it. I will conclude the "24 Reviews in 24 Years" by the eve of my 25th birthday, and also decide once and for all... the "Best 25 Songs (That I Have) of All Time" list. I will post reviews (even some for the Haruki Murakami thingy) and random writing posts. Expect more writing stuff.
Hell yes.
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